{"id":2,"date":"2023-04-15T21:29:58","date_gmt":"2023-04-15T21:29:58","guid":{"rendered":"https:\/\/nuendoexperts.com\/nuendo\/?page_id=2"},"modified":"2023-09-09T23:51:55","modified_gmt":"2023-09-09T23:51:55","slug":"key-commands","status":"publish","type":"page","link":"https:\/\/nuendoexperts.com\/nuendo\/","title":{"rendered":"Key Commands"},"content":{"rendered":"

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The Nuendo Experts website is currently in beta development, which means it is still in the testing phase and may contain errors and omissions. The website is dedicated to helping editors and mixers working in the TV, film, and music industries to learn and get assistance with the Nuendo software.<\/p>\n

During the beta period, the website is being developed and tested by a team of experts to ensure that it is functional, informative, and user-friendly. The team is working hard to ensure that all information on the website is accurate and up-to-date, but there may still be some errors or omissions that need to be addressed.<\/p>\n

The purpose of the Nuendo Experts website is to provide a centralized resource for users to learn about Nuendo and get help with any issues or questions they may have. This includes tutorials, articles, and forums where users can connect and share knowledge and experiences with each other.<\/p>\n

Once the beta period is complete, the website will be fully functional and ready to use. The Nuendo Experts team is committed to making the website the best resource possible for users in the TV, film, and music industries, and will continue to make improvements and updates to ensure that it meets the needs of its users.\u00a0<\/p>\n

The Nuendo Experts website operates independently and is not affiliated with Yamaha or Steinberg in anyway and is solely dedicated to assisting Nuendo users in the TV, Film, and Music industries. Our team, along with our community of website visitors, utilizes our collective expertise to provide guidance and support to fellow Nuendo users.<\/span><\/p>\n

As the most comprehensive and capable audio editing and mixing platform available, Nuendo benefits greatly from the shared knowledge of its users. The Nuendo Experts website serves as a hub for this knowledge exchange, offering a range of resources, tutorials, and forums to connect users and help them optimize their use of the software.<\/p>\n<\/div>\n<\/div>\n

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NUENDO DEFAULT KEY COMMANDS<\/h2>\n<\/h1>\n
\n

Listed below are the COMPLETE default key commands for Nuendo 12. These key commands can be customized to suit your workflow and preferences, but these are the defaults that are set when you first install the software.<\/span><\/p>\n

MacOS Users CMD replaces CTL. OPT replaces ALT in most cases.<\/p>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n
Add Track<\/td>\nT<\/td>\n\n

Opens the ADD Track Dialog Window<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

AUDIO<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Adjust Fades to Range<\/td>\nA<\/td>\n\n

\u201cAdjust Fades to Range\u201d is a function that allows you to automatically adjust the length of fade-ins and fade-outs on audio clips so that they match the length of the clip\u2019s range selection. For example, if you have a clip that is selected from bar 1 to bar 5, and you want to add a fade-in at the beginning of the clip, the \u201cAdjust Fades to Range\u201d function will automatically create a fade-in that starts at bar 1 and ends at the beginning of the selected range. Similarly, if you add a fade-out at the end of the clip, the function will create a fade-out that starts at the end of the selected range and ends at the end of the clip. This function can save time and help ensure that all of your fade-ins and fade-outs are precisely aligned with the selected range of the audio clip.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Auto Grid<\/td>\nShift Q<\/td>\n\u201cAuto Grid\u201d is a feature that automatically adjusts the grid size and snapping behavior based on the zoom level and the position of the playhead in the project. In Nuendo, \u201cAuto Grid\u201d is a feature that automatically adjusts the grid size and snapping behavior based on the zoom level and the position of the playhead in the project.
\n
<\/br>
\nWhen Auto Grid is enabled, the grid size will change dynamically as you zoom in or out of the project, allowing you to work with more precision at higher zoom levels and with more flexibility at lower zoom levels. Additionally, when the playhead is close to a grid line, Auto Grid will adjust the grid snapping behavior to make it easier to position objects precisely in time. Auto Grid is particularly useful when working with MIDI notes or audio events that need to be aligned precisely to a musical or rhythmic grid. By enabling Auto Grid, you can work more efficiently and accurately, without needing to constantly adjust the grid size and snapping settings manually.<\/td>\n		\n <\/td>\n<\/tr>\n
Bounce Selection<\/td>\nCTL-Shift B<\/td>\n\n

When you use the \u201cBounce Selection\u201d feature, Nuendo will render the selected portion of your project as a new audio file, using the current mix settings and effects processing. This new audio file can then be saved to your hard drive, imported into another project, or used for any other purpose as needed.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Crossfade<\/td>\nX<\/td>\n\n

Crossfades are used to smooth the transition between two adjacent audio events or regions. Crossfades work by gradually reducing the volume of one event while simultaneously increasing the volume of the other, creating a smooth and seamless transition.<\/span><\/p>\n

Here are the steps to create a crossfade in Nuendo:<\/p>\n

\u00a0 1. Select the two audio events or regions that you want to crossfade.<\/span>
\u00a0 2. Right-click on the selection and choose \u201cCrossfade\u201d from the context menu, or use the keyboard shortcut \u201cX\u201d to enable the Crossfade tool.<\/span>
\u00a0 3. Click and drag the Crossfade tool over the overlapping area of the two audio events to create a crossfade region. You can adjust the length and shape of the crossfade region by dragging its edges or adjusting the crossfade handles.<\/span>
\u00a0 4. Preview the crossfade by playing back the audio and adjusting the crossfade region as needed until you achieve the desired effect.<\/span>
There are also several options for customizing the behavior and appearance of crossfades in Nuendo. For example, you can adjust the shape and duration of the crossfade curve, choose different fade shapes, and adjust the volume and panning of the crossfade region independently of the audio events it connects.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

AUTOMATION<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Open Automation Panel<\/td>\nF6<\/td>\n\n

Opens Automation Panel.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
\n

The automation panel typically appears as a window or tab in the Nuendo interface, and it allows you to view and edit automation data for each track in your project. You can add, delete, and modify automation points on the timeline, and you can adjust the curve shape and smoothing of the automation data to achieve the desired effect.<\/p>\n

The automation panel also includes tools for copying and pasting automation data between tracks or sections of your project, as well as for creating and managing automation envelopes, which are used to store and organize automation data for each parameter.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Read Auto for All Tracks \u2013 On\/Off<\/td>\nALT R<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
WRITE Auto for All Tracks \u2013 On\/Off<\/td>\nALT W<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Redo Pass<\/td>\nCTL-ALT-SHIFT -Z<\/td>\n\n

When you make changes to automation data, Nuendo typically records those changes as a new pass in the automation history for that track. Each pass of automation data is stored separately, and you can use the \u201cUndo\u201d and \u201cRedo\u201d commands to navigate between them.<\/p>\n

The \u201cRedo Pass\u201d function in Nuendo allows you to quickly repeat the previous pass of automation data for a particular track or parameter. This can be useful if you want to apply the same automation changes again without having to manually redraw the automation data.<\/p>\n

To use the \u201cRedo Pass\u201d function in Nuendo, simply select the track or parameter that you want to apply the previous automation data to, and then choose the \u201cRedo Pass\u201d option from the automation menu or using the assigned shortcut key. Nuendo will then apply the previous pass of automation data to the selected track or parameter.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

CHORDS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Show\/Hide Chord Pads<\/td>\nCTL-SHIFT C<\/td>\n\n

The Chord Pads feature allows you to create and trigger chord progressions in real-time, which can be useful for composing, arranging, or improvising music.<\/p>\n

The \u201cShow\/Hide Chord Pads\u201d command simply toggles the visibility of the Chord Pads window in Nuendo. When you show the Chord Pads window, you can see and interact with the virtual pads, which represent different chords and can be played by clicking on them with your mouse or triggering them with a MIDI controller.<\/p>\n

When you hide the Chord Pads window, it disappears from view, but the Chord Pads feature remains active, so you can continue to trigger chords using your MIDI controller or computer keyboard shortcuts.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

DEVICES<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Audio Connections Panel<\/td>\nF4<\/td>\n\n

The Audio Connections panel is a powerful tool for configuring and managing the inputs and outputs of your audio interface and external devices. It allows you to create and save custom routing configurations, which can be recalled and used in different projects.<\/p>\n

Here are some of the key functions of the Audio Connections panel in Nuendo:<\/p>\n

    \n
  1. \n

    Input\/output routing: You can use the Audio Connections panel to define which inputs and outputs of your audio interface or external devices are used for recording and playback in Nuendo. This can be especially useful if you have multiple audio interfaces or external devices connected to your computer.<\/p>\n<\/li>\n

  2. \n

    Bus configuration: Nuendo provides a flexible system of buses that can be used to route audio between different tracks, groups, and effects. The Audio Connections panel allows you to define and customize the routing of these buses.<\/p>\n<\/li>\n

  3. \n

    Control room configuration: If you\u2019re working in a professional studio environment, you may want to set up a dedicated control room with separate monitors and headphone feeds. The Audio Connections panel provides tools for configuring the control room and assigning different outputs to different monitoring devices.<\/p>\n<\/li>\n

  4. \n

    External effects: If you have external effects processors or hardware instruments connected to your audio interface, you can use the Audio Connections panel to configure their inputs and outputs, and route audio to and from them in your Nuendo project.<\/p>\n<\/li>\n<\/ol>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Audio Performance Panel<\/td>\nF12<\/td>\n\n

The Audio Performance panel typically appears as a window or tab in the Nuendo interface, and it displays real-time information about the CPU usage, disk activity, audio engine load and ASIO guard info\u00a0<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Mix Console<\/td>\nF3<\/td>\n\n

Opens the Mix Window in a floating Panel<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Mix Console in Project Window<\/td>\nALT-F3<\/td>\n\n

Mix Console in Project Window in the lower project window.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
On-Screen Keyboard<\/td>\nALT K<\/td>\n\n

Opens a Qwerty\/Piano Keyboard<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Video Player<\/td>\nF7<\/td>\n\n

Opens a floating Video Window<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
VST Instruments Panel<\/td>\nF11<\/td>\n\n

Opens the VST Panel\u00a0<\/span>and allows you to see instruments in your session and to browse and select virtual instruments from your library, load them into your project, and configure their settings and parameters. You can also assign MIDI inputs and outputs, create and edit instrument tracks, and manage preset libraries.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Direct Offline Processing Panel<\/td>\nF7<\/td>\n\n

The Direct Offline Processing Panel allows you to apply audio processing such as EQ, compression, normalization, process-chains, and other effects to clips. You can preview the effect in real-time before committing to the changes, or auto apply the results and you can also batch process multiple audio clips or events at once.<\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

EDITING COMMANDS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Reset to Default Value<\/td>\nCTL Click<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Activate\/Deactivate Focused Object<\/td>\nALT-A<\/td>\nSelects\/Deselects An Object\n<\/td>\n\n <\/td>\n<\/tr>\n
Constrain Movement Horizontally<\/td>\nShift-CTL Drag<\/td>\nPress Shift+CTL and slide clip horizontally.\n<\/td>\n\n <\/td>\n<\/tr>\n
Constrain Movement Vertically<\/td>\nCTL<\/td>\nBegin to move the clip\/s vertically. When you reach the destination track’s press the CTL key and the clips will snap in to place\n<\/td>\n\n <\/td>\n<\/tr>\n
Auto Scroll On\/Off<\/td>\nF<\/td>\nA Page Scroller. On or Off\n<\/td>\n\n <\/td>\n<\/tr>\n
Shared Copy – Tool Modifier<\/td>\nDrag and Drop Shift-ALT – Tool Modifier<\/td>\nThe “Shared Copy” function allows you to create multiple instances of the same audio or MIDI event that all reference a single source file. This can be useful for creating multiple The Shared Copy function in Steinberg Nuendo can be accessed through the “Function” submenu under the “Edit” menu. Here are the correct steps to use the Shared Copy function:<\/p>\n

Select the audio or MIDI event that you want to create a shared copy of.<\/p>\n

Choose “Function” submenu from the “Edit” menu.<\/p>\n

In the “Function” submenu, select “Shared Copy.”<\/p>\n

In the “Shared Copy” dialog box, specify the number of copies you want to create and any additional options, such as whether to include automation or effects.<\/p>\n

Click “OK” to create the shared copies.<\/p>\n

Nuendo will automatically create the specified number of shared copies of the selected event, all referencing the same source file, as previously described.<\/td>\n

\n Read more<\/a>\n <\/td>\n<\/tr>\n
Copy<\/td>\nCTL C<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Cut<\/td>\nCTL X<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Cut Head<\/td>\nsemi colon<\/td>\nCuts the head of the clip to cursor position\n<\/td>\n\n <\/td>\n<\/tr>\n
Cut Tail <\/td>\ncomma<\/td>\nCuts the tail of the clip to cursor position\n<\/td>\n\n <\/td>\n<\/tr>\n
Delete<\/td>\nDelete or Backspace<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Paste Time (Add Time – Ripple)<\/td>\nCTL-Shift V<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Delete Time (Ripple) Tool Modifier<\/td>\nShift Backspace<\/td>\n“The Shift + Backspace command is used to delete time and move the remaining audio forward to fill the gap. This is sometimes referred to as “”ripple delete”” or “”ripple cut”” because the remaining audio automatically ripples forward to fill the deleted gap.<\/p>\n

To use the Shift + Backspace command in Nuendo, you can follow these steps:<\/p>\n

Select the section of time you want to delete.
\nPress the Shift + Backspace keys on your keyboard.
\nNuendo will remove the selected section of time and automatically move the remaining audio forward to fill the gap.”\n<\/td>\n

\n <\/td>\n<\/tr>\n
Duplicate<\/td>\nCTL-D<\/td>\nThe Duplicate command (Control + D on Windows or Command + D on Mac) is used to make a copy of a selected audio or MIDI clip or a range of time within a project. When you use the Duplicate command, a copy of the selected clip or range is created immediately following the original, with the same length and contents.<\/td>\n\n <\/td>\n<\/tr>\n
Expand\/Reduce<\/td>\nALT E<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Fill Loop<\/td>\nCTL \\<\/td>\nSelect the fill elememt, create a range, CTL \\.<\/td>\n\n <\/td>\n<\/tr>\n
Find Track Channel<\/td>\nCTL F<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Group <\/td>\nCTL G<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Folder – Group Editing in Selected Tracks On\/Off<\/td>\nK<\/td>\nToggles the Group Editing Button ON\/OFF in folder track.<\/td>\n\n Read more<\/a>\n <\/td>\n<\/tr>\n
Insert Silence<\/td>\nCTL-Shift E<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Invert<\/td>\nALT F<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Left Selection Side to Cursor<\/td>\nE<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Right Selection Side to Cursor<\/td>\nD<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Lock Track<\/td>\nCTL-Shift L<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Unlock Track<\/td>\nCTL-Shift U<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Move Events to Front<\/td>\nU<\/td>\nMove layered event to top layer.<\/td>\n\n <\/td>\n<\/tr>\n
Mute <\/td>\nM<\/td>\nMutes track,.<\/td>\n\n <\/td>\n<\/tr>\n
Mute\/Unmute Objects\/Events<\/td>\nShift M<\/td>\nMutes\/Unmutes events\/objects.<\/td>\n\n <\/td>\n<\/tr>\n
Mute Events<\/td>\nShift M<\/td>\nMutes Events<\/td>\n\n <\/td>\n<\/tr>\n
Paste<\/td>\nCTL V<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Paste Relative to Cursor<\/td>\nShift V<\/td>\nPastes at cursor position<\/td>\n\n <\/td>\n<\/tr>\n
Primary Parameter Increase\/Decrease<\/td>\nCTL-Shift Up\/Down Arrow<\/td>\nThe primary parameter of a control or plugin is typically the most important parameter, and is often the one that is adjusted most frequently. For example, in a compressor plugin, the threshold or ratio parameter might be considered the primary parameter, while in a EQ plugin, the frequency or gain parameter might be considered the primary parameter.<\/td>\n\n <\/td>\n<\/tr>\n
Secondary Parameter Increase\/Decrease<\/td>\nCTL-Shift Left\/Right Arrow<\/td>\nA “secondary parameter” is a parameter of a control or plugin that is not considered the primary parameter. While the primary parameter is typically the most important parameter, the secondary parameter is usually an additional parameter that can be adjusted to fine-tune the effect or sound of the control or plugin.<\/p>\n

For example, in a compressor plugin, the threshold or ratio parameter might be considered the primary parameter, while the attack or release time might be considered a secondary parameter. In an EQ plugin, the frequency or gain parameter might be considered the primary parameter, while the Q or bandwidth might be considered a secondary parameter.<\/td>\n

\n <\/td>\n<\/tr>\n
Record Enable <\/td>\nR<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Redo<\/td>\nCTL-Shift Z<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Repeat<\/td>\nCTL-Shift K<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Select All<\/td>\nCTL A<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Select None (Deselect)<\/td>\nCTL-Shift A<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Snap On\/Off<\/td>\nJ<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Solo <\/td>\nS<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Split at Cursor<\/td>\nALT X<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Split Range<\/td>\nShift X<\/td>\n<\/td>\n\n Read more<\/a>\n <\/td>\n<\/tr>\n
Stationary Cursor<\/td>\nALT C<\/td>\nToggles stationary cursor under the Auto Scroll submenu.<\/td>\n\n <\/td>\n<\/tr>\n
Undo<\/td>\nCTL Z<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Ungroup<\/td>\nCTL U<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Toggle Alternate Key Commands<\/td>\n# or CTL F5<\/td>\n\n

Toggles Markers or Transport keysets by default.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Write<\/td>\nW<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

EDITORS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Open Score Editor<\/td>\nCTL R<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

FILE<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Save As A New Version<\/td>\nCTL-ALT S<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Save As<\/td>\nCTL-SHIFT S<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Save<\/td>\nCTL S<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Revert<\/td>\nCTL Q<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open<\/td>\nCTL O<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
New<\/td>\nCTL N<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Close<\/td>\nCTL W<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

MEDIA<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Open Media Bay<\/td>\nF5<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close Attribute Inspector<\/td>\nCTL-ALT Num 6<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close File Browser<\/td>\nCTL-ALT Num 4<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close Favorites<\/td>\nCTL-ALT Num 8<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close Filters<\/td>\nCTL-ALT Num 5<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close File Browser<\/td>\nCTL-ALT Num 4<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open\/Close Previewer<\/td>\nCTL-ALT Num 2<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

MEDIA:PREVIEW<\/em><\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Preview Cycle On\/Off<\/td>\nShift-Num \/Shift-Num \/<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Preview Start<\/td>\nShift-Enter<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Preview Stop<\/td>\nShift Num 0<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Search Media Bay<\/td>\nShift F5<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

MIDI<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Show\/Hide Controller Lanes<\/td>\nAlt L<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

MIX CONSOLE HISTORY<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Undo MixConsole Step<\/td>\nALT Z<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Redo MixConsole Step<\/td>\nALT Shift Z<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

NAVIGATE<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
UP\/Down<\/td>\nUp Arrow – Down Arrow<\/td>\n\n

Moves up or down track list.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Up\/Down Add Tracks<\/td>\nShift – Up\/Dwon Arrow<\/td>\n\n

Additive select – Adds next item<\/p>\n

CTL Select – Adds next selected item.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Arrow Left\/Right<\/td>\nArrow Left\/Right<\/td>\n\n

Modal<\/strong><\/em>:\u00a0 If Object select tool is used cursor moves to next object\/marker.
If Range tool is selected, moves cursor left or right by nudge anount.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Left Right Add<\/td>\nShift Left\/Right<\/td>\n\n

Adds next element to the left or right to the selection.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

NUDGE<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Nudge Clip\/Event Left\/Right<\/td>\nCTL Left\/Right Arrow<\/td>\n\n

Moves element left or right by nudge amount<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Nudge Start of Element\/Clip<\/td>\nALT Left\/Right Arrow<\/td>\n\n

Moves start of element\/clip left or right.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Nudge End of Element\/Clip<\/td>\nALT-Shift Left\/Right Arrow<\/td>\n\n

Moves end of element\/clip left or right by nudge amount.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

PROJECT<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Colors <\/td>\nALT-Shift S<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Markers<\/td>\nCTL M<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Browser<\/td>\nCTL B<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Tempo Track<\/td>\nCTL T<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Pool<\/td>\nCTL P<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Markers<\/td>\nCTL M<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Track\/Event Color<\/td>\nALT-Shift C<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Open Tempo Track<\/td>\nCTL T<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

SCORE INSERT LENGTH<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
1\/1<\/td>\nALT 1<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/2<\/td>\nALT 2 <\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/4<\/td>\nALT 3<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/8<\/td>\nALT 4<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/16<\/td>\nALT 5<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/32<\/td>\nALT 6 <\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/64<\/td>\nALT 7<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
1\/128<\/td>\nALT 8<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Toggle Dotted<\/td>\nALT period<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Toggle Triplet<\/td>\nALT semi-colon<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

TOOLS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Drumstick Tool<\/td>\nZero<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Object Selection Tool<\/td>\n1<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Range Selection Tool<\/td>\n2<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Combine Selection\u00a0Tools On\/Off<\/td>\nALT-Shift 1<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Split Tool<\/td>\n3<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Glue Tool<\/td>\n4<\/td>\n\n

Glues selected parts together as one – “Unglue” with Audio – Dissolve Part<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Erase Tool<\/td>\n5<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom Tool<\/td>\n6<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Mute Tool<\/td>\n7<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Draw Tool<\/td>\n8<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Play Tool<\/td>\n9<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Previous Tool<\/td>\nF9<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Next Tool<\/td>\nF10<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

TRACK VERSIONS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
New Version<\/td>\nCTL-Shift N<\/td>\n\n

Track Versions are a feature that allows you to create multiple variations of a track within a project. This can be useful when you want to experiment with different versions of a part, such as a guitar riff or vocal melody, without losing the original recording.<\/p>\n

When you create a Track Version, you essentially create a copy of the original track, which you can then edit or record new material onto. You can then switch between different versions of the track to compare them or audition them in the context of the rest of the project.<\/p>\n

Track Versions can be created for audio, MIDI, and instrument tracks, and they can be used for a variety of purposes, such as creating different takes of a performance, trying out different effects or processing chains, or creating alternate versions of a mix.<\/p>\n

In addition to creating and managing Track Versions manually, Nuendo also provides a feature called “Auto Versioning,” which automatically creates new versions of a track based on specific events, such as recording a new take or applying a certain processing effect.<\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Pervious Version<\/td>\nCTL-Shift G<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Next Version<\/td>\nCTL-Shift H<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Duplicate Version<\/td>\nCTL-Shift D<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

TRANSPORT COMMANDS<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Activate External Sync<\/td>\nALT-Shift T<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Activate Metronome<\/td>\nC<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Activate Punch In<\/td>\nI<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Activate Punch Out<\/td>\nO<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Cycle<\/td>\nNum\/<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Left Locator<\/td>\nShift L<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Right Locator<\/td>\nShift R<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Locator Range Duration<\/td>\nShift D<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Project Cursor Position<\/td>\nShift P<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Punch In Position<\/td>\nShift I<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Punch Out Position<\/td>\nShift O<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Tempo<\/td>\nShift T<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Enter Time Signature<\/td>\nShift C<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Exchange Time Formats<\/td>\n<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Fast Forward<\/td>\nShift-Num\u00a0+<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Fast Rewind<\/td>\nShift-Num\u00a0–<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Forward<\/td>\nNum\u00a0+<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Go to Left Locator<\/td>\nNum\u00a01<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Go to Right Locator<\/td>\nNum\u00a02<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Go to Project Start<\/td>\nNum\u00a0.\u00a0or\u00a0Num\u00a0,\u00a0or\u00a0Num\u00a0;<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Next Marker<\/td>\nShift-N<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Previous Marker<\/td>\nShift-B<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Next HitpointA<\/td>\nA<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Previous Hitpoint<\/td>\nAlt\/Opt-B<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Next Event<\/td>\nN<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Insert Marker\u00a0(Windows only)<\/td>\nInsert<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locators to Selection<\/td>\nP<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Loop Selection<\/td>\nAlt\/Opt-P<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
MIDI Retrospective Record: Insert from All MIDI Inputs<\/td>\nShift-\u00a0Num\u00a0–*<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Nudge Cursor Left<\/td>\nCtrl\/Cmd-\u00a0Num\u00a0–<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Nudge Cursor Right<\/td>\nCtrl\/Cmd-\u00a0Num\u00a0+<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Transport Panel<\/td>\nF2<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Locate Previous Event<\/td>\nB<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Play Selection Range<\/td>\nAlt\/Opt-Space<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Recall Cycle Marker 1 to 9<\/td>\nShift-Num\u00a01\u00a0to\u00a0Num\u00a09<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Record<\/td>\nNum\u00a0*<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Rewind<\/td>\nNum\u00a0–<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Left Locator to Project Cursor Position<\/td>\nCtrl\/Cmd-Num\u00a01<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Right Locator to Project Cursor Position<\/td>\nCtrl\/Cmd-Num\u00a02<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Marker 1<\/td>\nCtrl\/Cmd-1<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Marker 2<\/td>\nSet Marker 2<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Set Marker 3 to 9<\/td>\nSet Marker 3 to 9<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Start<\/td>\nEnter<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Start\/Stop<\/td>\nSpace<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Stop<\/td>\nNum\u00a00<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
To Marker 1<\/td>\nShift-1<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
To Marker 2<\/td>\nShift-2<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
To Marker 3 to 9<\/td>\nNum\u00a03\u00a0to\u00a0Num\u00a09\u00a0or\u00a0Shift-3\u00a0to\u00a09<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

WINDOW ZONES<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Show\/Hide Left Zone<\/td>\nCtrl\/Cmd-Alt\/Opt-L;\u00a0Alt\/Opt-I<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Right Zone<\/td>\nCtrl\/Cmd-Alt\/Opt-R<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Upper Zone<\/td>\nCtrl\/Cmd-Alt\/Opt-U<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Lower Zone<\/td>\nCtrl\/Cmd-Alt\/Opt-E\u00a0or\u00a0Ctrl\/Cmd-Alt\/Opt-B<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Transport Bar<\/td>\nCtrl\/Cmd-Alt\/Opt-T<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show Next Tab<\/td>\nCtrl\/Cmd-Alt\/Opt-Right\u00a0Arrow<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show Previous Tab<\/td>\nCtrl\/Cmd-Alt\/Opt-Left\u00a0Arrow<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show Next Page<\/td>\nCtrl\/Cmd-Alt\/Opt-Down\u00a0Arrow\u00a0or\u00a0Page\u00a0Down<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show Previous Page<\/td>\nCtrl\/Cmd-Alt\/Opt-Up\u00a0Arrow\u00a0or\u00a0Page\u00a0Up<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Info Line<\/td>\nCtrl\/Cmd-I<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Show\/Hide Overview<\/td>\nAlt\/Opt-O<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

WORKSPACES<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
New<\/td>\nCtrl\/Cmd-Num\u00a00<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
No Workspace<\/td>\nAlt\/Opt-Num\u00a00<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Workspace 1-9<\/td>\nAlt\/Opt-Num\u00a01-Num\u00a09<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Update Workspace<\/td>\nAlt\/Opt-U<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Workspace X<\/td>\nCtrl\/Cmd-Alt\/Opt-Num\u00a00<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n

ZOOM<\/strong><\/h4>\n<\/td>\n

\n <\/td>\n<\/tr>\n
Zoom\u00a0Full<\/td>\nShift-F<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0In<\/td>\nH<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0In On Waveform Vertically<\/td>\nAlt\/Opt-H<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0In Tracks<\/td>\nCtrl\/Cmd-Down\u00a0Arrow<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0In Vertically<\/td>\nShift-H<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0Out Of Waveform Vertically<\/td>\nAlt\/Opt-G<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0Out<\/td>\nG<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0Out Tracks<\/td>\nCtrl\/Cmd-Up\u00a0Arrow<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0Out Vertically<\/td>\nShift-G<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0to Event<\/td>\nShift-E<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0to Selection<\/td>\nAlt\/Opt-S<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n
Zoom\u00a0Tracks Exclusive<\/td>\nZ<\/td>\n<\/td>\n\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n

\u00a9 Indian Hill Media Inc. All Rights Reserved. Another Smiling Dog Designs Website<\/p>\n<\/div>\n<\/div>\n

\n
\n

\u00a9 Indian Hill Media Inc. All Rights Reserved. Another Smiling Dog Designs Website<\/p>\n<\/div>\n<\/div>\n


\n<\/p>\n","protected":false},"excerpt":{"rendered":"

The Nuendo Experts website is currently in beta development, which means it is still in the testing phase and may contain errors and omissions. The website is dedicated to helping editors and mixers working in the TV, film, and music industries to learn and get assistance with the Nuendo software. During the beta period, the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":94,"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/pages\/2\/revisions\/268"}],"wp:attachment":[{"href":"https:\/\/nuendoexperts.com\/nuendo\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}